Record Details



Enlarge cover image for Native North American art / Janet Catherine Berlo and Ruth B. Phillips. Book

Native North American art / Janet Catherine Berlo and Ruth B. Phillips.

Summary:

The richness of Native American art is explored from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions.

Record details

  • ISBN: 9780192842183 (softcover)
  • ISBN: 9780192842664
  • ISBN: 0192842188 (pbk.)
  • ISBN: 0192842668
  • Physical Description: ix, 291 pages : illustrations (some color), color maps ; 24 cm.
  • Publisher: Oxford ; Oxford University Press, [1998]

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (p. 254-273) and index.
Formatted Contents Note:
Chapter 1. An introduction to the indigenous arts of North America -- Art history and Native art --What is "art"? Western discourses and Native American objects -- Modes of appreciation : curiosity, specimen, artefact, and art -- What is an Indian? Clan, community, political structure, and art -- Cosmology -- The map of the cosmos -- The nature of spirit -- Dreams and the vision quest -- Shamanism -- Art and the public celebration of power -- The power of personal adornment -- "Creativity is our tradition": innovation and tradition in Native American art -- Gender and the making of art -- Chapter 2. The southwest -- The southwest as a region -- The ancient world -- From the colonial era to the modern Pueblos -- Navajo and Apache arts -- Chapter 3. The east -- The east as a region -- Hunting cultures, burial practices, and early Woodlands art forms -- Mississippian art and culture -- The cataclysm of contact: the southeast -- The early contact period in the northeast -- Arts of the middle ground -- Arts of self-adornment -- Chapter 4. The west -- Introduction -- The Great Plains -- The intermontaine region : an artistic crossroads -- The far west : arts of California and the Great Basin -- Chapter 5. The north. Geography, environment, and language in the north -- Sub-arctic clothing: art to honour and protect -- The Arctic -- Chapter 6. The northwest coast -- Origins -- The early contact period -- Styles and techniques -- Western connoisseurship and Northwest Coast art -- Shamanism -- Crest art -- The potlatch -- Art, commodity, and oral tradition -- Northwest Coast art in the twentieth century -- Chapter 7. The twentieth century: trends in modern Native art -- Questions of definition -- Commoditization and contemporary art -- Moments of beginning -- The southern Plains and the Kiowa five -- The Southwest and the "Studio" style -- The display and marketing of American Indian art : exhibitions, mural projects, and competitions -- Native American modernisms, 1950-80 -- Institutional frameworks and modernisms in Canada -- Postmodernism, installation, and other post-studio art
Subject:
Indigenous art > North America
Indigenous art > North America
Indigenous of North America > Material culture
Indigenous peoples > North America > Material culture
North America > Antiquities

Available copies

  • 1 of 1 copy available at Emily Carr University of Art + Design.

Holds

  • 0 current holds with 1 total copy.

Other Formats and Editions

English (2)
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Holdable? Status Due Date Courses
Emily Carr University of Art + Design E98 .A7B47 1998 (Text) 30194354 Book Volume hold Available -

Chapter 1 An Introduction to the Indigenous Arts of North America
1(36)
Art history and Native art
3(4)
What is `art'? Western discourses and Native American objects
7(2)
Modes of appreciation: curiosity, specimen, artefact, and art
9(8)
What is an Indian? Clan, community, political structure, and art
17(4)
Cosmology
21(1)
The map of the cosmos
22(2)
The nature of spirit
24(1)
Dreams and the vision quest
25(1)
Shamanism
26(1)
Art and the public celebration of power
26(1)
The power of personal adornment
27(1)
`Creativity is our tradition': innovation and tradition in Native American art
28(4)
Gender and the making of art
32(5)
Chapter 2 The Southwest
37(34)
The Southwest as a region
37(3)
The ancient world
40(7)
From the colonial era to the modern Pueblos
47(13)
Navajo and Apache arts
60(11)
Chapter 3 The East
71(36)
The East as a region
71(3)
Hunting cultures, burial practices, and Early Woodlands art forms
74(5)
Mississippian art and culture
79(7)
The cataclysm of contact: the Southeast
86(2)
The early contact period in the Northeast
88(2)
Arts of the middle ground
90(4)
Arts of self-adornment
94(13)
Chapter 4 The West
107(32)
Introduction
107(5)
The Great Plains
112(18)
The Intermontaine region-an artistic crossroads
130(3)
The Far West: arts of California and the Great Basin
133(6)
Chapter 5 The North
139(34)
Geography, environment, and language in the North
142(2)
Sub-arctic clothing: art to honour and protect
144(8)
The Arctic
152(21)
Chapter 6 The Northwest Coast
173(36)
Origins
173(8)
The early contact period
181(2)
Styles and techniques
183(5)
Western connoisseurship and Northwest Coast art
188(2)
Shamanism
190(4)
Crest art
194(4)
The potlatch
198(4)
Art, commodity, and oral tradition
202(2)
Northwest Coast art in the twentieth century
204(5)
Chapter 7 The Twentieth Century: Trends in Modern Native Art
209(31)
Questions of definition
209(1)
Commoditization and contemporary art
210(3)
Moments of beginning
213(2)
The Southern Plains and the Kiowa Five
215(2)
The Southwest and the `Studio' style
217(1)
The display and marketing of American Indian art: exhibitions, mural projects, and competitions
218(2)
Native American modernisms, 1950-80
220(7)
Institutional frameworks and modernisms in Canada
227(7)
Postmodernism, installation, and other post-studio art
234(6)
Notes 240(7)
List of Illustrations
247(7)
Bibliographic Essay 254(20)
Timeline 274(8)
Index 282