Art & fear : observations on the perils (and rewards) of artmaking / David Bayles, Ted Orland.
Overview: "This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially - statistically speaking - there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." --from the Introduction
Record details
- ISBN: 0961454733 (pbk.)
- ISBN: 9780691454739 (pbk.)
- ISBN: 0884963799 (pbk.)
- Physical Description: 122 p. ; 21 cm.
- Edition: First Image Continuum Press edition.
- Publisher: Santa Barbara, CA : Image Continuum Press ; c2001.
Content descriptions
- General Note:
- Originally published: Capra Press, c1993.
- Formatted Contents Note:
- Introduction -- Nature Of The Problem: -- Few assumptions -- Art & Fear: -- Vision & execution -- Imagination -- Materials -- Uncertainty -- Fears About Yourself: -- Pretending -- Talent -- Perfection -- Annihilation -- Magic -- Expectations -- Fears About Others: -- Understanding -- Acceptance -- Approval -- Finding Your Work: -- Canon -- Outside World: -- Ordinary problems -- Common ground -- Art issues -- Competition -- Navigating the system -- Academic World: -- Faculty issues -- Student issues -- Books about art -- Conceptual Worlds: -- Ideas and technique -- Craft -- New work -- Creativity -- Habits -- Art & science -- Self-reference -- Metaphor -- Human Voice: -- Questions -- Constants -- Vox humana.
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Available copies
- 2 of 3 copies available at Emily Carr University of Art + Design.
Holds
- 0 current holds with 3 total copies.
Other Formats and Editions
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Circulation Modifier | Holdable? | Status | Due Date | Courses |
---|---|---|---|---|---|---|---|---|
Emily Carr University of Art + Design | N71 .B37 1993 (Text) | 30227866 | Book | Not holdable | Lost | 2019-09-20 | ||
Emily Carr University of Art + Design | N71 .B37 1993 (Text) | 30218911 | Book | Volume hold | Available | - | ||
Emily Carr University of Art + Design | N71 .B37 1993 c. 2 (Text) | 30227867 | Book | Volume hold | Available | - |
LDR | 01266cam a2200325 a 4500 | ||
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020 | . | ‡a0961454733 (pbk.) | |
020 | . | ‡a9780691454739 (pbk.) | |
020 | . | ‡a0884963799 (pbk.) | |
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050 | 0 | 0. | ‡aN71 ‡b.B37 2001 |
090 | . | ‡a701.15 B358 2015 | |
100 | 1 | . | ‡aBayles, David. |
245 | 1 | 0. | ‡aArt & fear : ‡bobservations on the perils (and rewards) of artmaking / ‡cDavid Bayles, Ted Orland. |
246 | 3 | . | ‡aArt and fear |
246 | 3 | 0. | ‡aObservations on the perils (and rewards) of artmaking |
250 | . | ‡aFirst Image Continuum Press edition. | |
260 | . | ‡aSanta Barbara, CA : ‡bImage Continuum Press ; ‡aSaint Paul, MN : ‡bDistributed by Consortium Book Sales & Distribution, ‡cc2001. | |
300 | . | ‡a122 p. ; ‡c21 cm. | |
500 | . | ‡aOriginally published: Capra Press, c1993. | |
505 | 0 | . | ‡aIntroduction -- Nature Of The Problem: -- Few assumptions -- Art & Fear: -- Vision & execution -- Imagination -- Materials -- Uncertainty -- Fears About Yourself: -- Pretending -- Talent -- Perfection -- Annihilation -- Magic -- Expectations -- Fears About Others: -- Understanding -- Acceptance -- Approval -- Finding Your Work: -- Canon -- Outside World: -- Ordinary problems -- Common ground -- Art issues -- Competition -- Navigating the system -- Academic World: -- Faculty issues -- Student issues -- Books about art -- Conceptual Worlds: -- Ideas and technique -- Craft -- New work -- Creativity -- Habits -- Art & science -- Self-reference -- Metaphor -- Human Voice: -- Questions -- Constants -- Vox humana. |
520 | . | ‡aOverview: "This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially - statistically speaking - there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." --from the Introduction | |
650 | 0. | ‡aArtists ‡xPsychology. | |
650 | 0. | ‡aCreation (Literary, artistic, etc.) | |
650 | 0. | ‡aArtist's block. | |
650 | 0. | ‡aFear of failure. | |
700 | 1 | . | ‡aOrland, Ted. |
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999 | . | ‡aN 71 B37 1993 ‡wLC ‡c1 ‡iM010264844 ‡d8/5/2018 ‡e23/4/2018 ‡f20/4/2018 ‡g3 ‡lSTACKS ‡mNANAIMO ‡n50 ‡p$23.08 ‡rY ‡sY ‡tBOOK ‡u14/8/1998 ‡xMONOGRAPH ‡zBOOK | |
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