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The craft reader / edited by Glenn Adamson.

Adamson, Glenn. (Added Author).

Summary:

"From the canonical texts of the Arts and Crafts Movement to the radical thinking of today's "DIY" movement, from theoretical writings on the position of craft in distinction to Art and Design to how-to texts from renowned practitioners, from feminist histories of textiles to descriptions of the innovation born of necessity in Soviet factories and African auto-repair shops...The Craft Reader presents the first comprehensive anthology of writings on modern craft. Covering the period from the Industrial Revolution to today, the Reader draws on craft practice and theory from America, Europe, Asia and Africa. The world of craft is considered in its full breadth -- from pottery and weaving, to couture and chocolate-making, to contemporary art, architecture and curation. The writings are themed into sections and all extracts are individually introduced, placing each in its historical, cultural and artistic context. Bringing together an astonishing range of both classic and contemporary texts, The Craft Reader will be invaluable to any student or practitioner of Craft and also to readers in Art and Design. AUTHORS INCLUDE: Theodor Adorno, Anni Albers, Amadou Hḿpat ̌B,́ Charles Babbage, Roland Barthes, Andrea Branzi, Alison Britton, Rafael Cardoso, Johanna Drucker, Charles Eames, Salvatore Ferragamo, Kenneth Frampton, Alfred Gell, Walter Gropius, Tanya Harrod, Martin Heidegger, Patrick Heron, Bernard Leach, Esther Leslie, W. R. Lethaby, Lucy Lippard, Adolf Loos, Karl Marx, William Morris, Robert Morris, Lsz̀l ̤Moholy-Nagy, Stefan Muthesius, George Nakashima, Octavio Paz, Grayson Perry, M. C. Richards, John Ruskin, Raphael Samuel, Ellen Gates Starr, Debbie Stoller, Alexis de Tocqueville, Lee Ufan, Frank Lloyd Wright"--Provided by publisher.

Record details

  • ISBN: 9781847883032 (pbk.)
  • ISBN: 9781847883049 (cloth)
  • Physical Description: xii, 641 p. : ill ; 26 cm.
  • Edition: English ed.
  • Publisher: Oxford ; Berg Publishers, 2010.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references and index.
Formatted Contents Note:
Machine generated contents note: 31. M. C. Richards, Centering -- 32. Olivia Emery, Craftsman Lifestyle: The Gentle Revolution -- 33. George Nakashima, The Soul of A Tree: A Master Woodworker's Reflections -- 34. Edward S. Cooke, Jr., "The Long Shadow of William Morris: Paradigmatic Problems of Twentieth-Century American Furniture" -- * PART 4: THE PRESENCE OF CRAFT IN THE AGE OF MASS PRODUCTION -- Sectional introduction -- 35. Salvatore Ferragamo, The Shoemaker of Dreams -- 36. Susan J. Terrio, "Crafting Grand Cru Chocolates in Contemporary France" -- 37. Sara Berry, "From Peasant to Artisan: Motor Mechanics in a Nigerian Town" -- 38. Nathan Silver, "Modes and Resources of Adhocism" -- 39. David T. Doris, "Destiny World: Textile Casualties in Southern Nigeria" -- 40. Sergei Alasheev, "On a Particular Kind of Love and the Specificity of Soviet Production" -- 41. Iftikhar Dadi, "Plastic Toys and Urban Craft in South Asia" -- 42. Philip Tinari, 'Original Copies' -- 43. Norbert Wiener, "What is Cybernetics?" -- 44. Michael L. Dertouzos, "Individualized Automation" -- 45. Malcolm McCullough, Abstracting Craft: The Practiced Digital Hand -- 46. European Digital Artists Network (Richard Barbrook and Pit Schultz), "Digital Artisans Manifesto" -- 47. Rafael Cardoso, "Craft Versus Design: Moving Beyond a Tired Dichotomy." -- PART 5: CRAFT IN THEORY: WORKMANSHIP, ESSENCE, STATUS -- Sectional Introduction -- 48. David Pye, The Nature and Art of Workmanship -- 49. Henri Focillon, "Forms in the Realms of Matter" -- 50. Elsie Fogerty, Rhythm -- 51. Amadou Hâmpate; Bâ, "African Art: Where the Hand Has Ears" -- 52. Robert Farris Thompson, "Yoruba Artistic Criticism" -- 53. Martin Heidegger, "The Thing" -- 54. Kenneth Frampton, "Rappel a l'Ordre: The Case for the Tectonic" -- 55. Esther Leslie, "Walter Benjamin: Traces of Craft" -- 56. Theodor Adorno, "Functionalism Today" -- 57. R. G. Collingwood, "Art and Craft" -- 58. Patrick Heron, "The Crafts in Relation to Contemporary Art" -- 59. Harold Rosenberg, "Art and Work" -- 60. John Bentley Mays, "Comment" -- 61. Alison Britton, The Maker's Eye -- PART 6: CRAFT IN ACTION: THE EVERYDAY, ART AND DESIGN -- Sectional introduction -- 62. Alfred Gell, "The Enchantment of Technology and the Technology of Enchantment" -- 63. Patrick R. McNaughton, The Mande Blacksmiths -- 64. Roland Barthes, "Toys" -- 65. Lucy Lippard, "Making Something From Nothing (toward a Definition of Women's 'Hobby Art')," -- 66. Rozsika Parker, "The Creation of Femininity" -- 67. Carole Tulloch, 'There's No Place Like Home: Home Dressmaking and Creativity in the Jamaican Community of the 1940s to the 1960s' -- 68. Tanya Harrod, "House-Trained Objects: Notes Towards Writing an Alternative History of Modern Art" -- 69. Rose Slivka, "The New Ceramic Presence" -- 70. Philip Leider, "How I Spent My Summer Vacation or, Art and Politics in Nevada, Berkeley, San Francisco and Utah" -- 71. Robert Morris, "Some Notes on the Phenomenology of Making: The Search for."
Subject:
Handicraft.
Decorative arts.
Industrial arts.

Available copies

  • 1 of 1 copy available at Emily Carr University of Art + Design.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Holdable? Status Due Date Courses
Emily Carr University of Art + Design TT149 .C733 2010 (Text) 30223241 Book Volume hold Available -

Acknowledgements xi
Note on the Texts xiii
Introduction 1(8)
SECTION 1: HOW-TO
Section Introduction
9(2)
`Introductory Remarks', from The Teacher's Handbooks of Slojd
11(5)
Otto Salomon
Elements of Handicrafts and Design
16(6)
W. A. S. Benson
The Wheelwright's Shop
22(7)
George Sturt
On Weaving
29(5)
Anni Albers
Primitive Pottery
34(14)
Hal Riegger
SECTION 2: CRAFT AND THE INDUSTRIAL REVOLUTION
Section Introduction
43(5)
On the Economy of Machines and Manufactures
48(7)
Charles Babbage
Artisans and Machinery
55(6)
Peter Gaskell
`How an Arisrocracy May Emerge from Industry', from Democracy in America
61(4)
Tocqueville
Industrial Biography: Iron Workers and Tool Makers
65(4)
Samuel Smiles
Capital
69(9)
Karl Marx
`The Primary Effects of Scientific Management', from Labor and Monopoly Capitalism
78(5)
Harry Braverman
The Workshop of the World: Steam Power and Hand Technology in Mid-Victorian Britain
83(9)
Raphael Samuel
Technological Innovation and Design Economics in Furniture Manufacture
92(7)
Michael Ettema
Artistic America
99(8)
Siegfried Bing
In the Cause of Architecture: The Architect and the Machine
107(4)
Frank Lloyd Wright
Art and the Machine
111(4)
Hermann Muthesius
Building Materials
115(5)
Adolf Loos
Handwerk/Kunsthandwerk
120(19)
Stefan Muthesius
SECTION 3: MODERN CRAFT: IDEALISM AND REFORM
Section Introduction
135(4)
`The Nature of Gothic', from The Stones of Venice
139(7)
John Ruskin
The Revival of Handicraft
146(10)
William Morris
Art and Labor
156(5)
Ellen Gates Starr
Art and Workmanship
161(3)
W. R. Lethaby
`Slogans', `The Work Ahead of Us' and `The Problem of the Relationship between Man and Object'
164(3)
Vladimir Tatlin
`The Way of Craftsmanship', from The Unknown Craftsman: A Japanese Insight into Beauty
167(10)
Soetsu Yanagi
A Potter's Book
177(9)
Bernard Leach
Initiation and the Crafts
186(6)
Rene Guenon
Indian Handicrafts
192(7)
Kamaladevi Chattopadhyay
`The Relation of the Past to the Demands of the Present', World Crafts Conference Proceedings (1964)
199(7)
Centering
206(8)
M. C. Richards
Introduction to Craftsman Lifestyle: The Gentle Revolution
214(5)
Eudorah Moore
The Soul of a Tree
219(7)
George Nakashima
The Long Shadow of William Morris: Paradigmatic Problems of Twentieth-Century American Furniture
226(18)
Edward S. Cooke, Jr.
SECTION 4: THE PERSISTENCE OF CRAFT IN THE AGE OF MASS PRODUCTION
Section Introduction
239(5)
Shoemaker of Dreams
244(9)
Salvatore Ferragamo
Crafting Grand Cru Chocolates in Contemporary France
253(10)
Susan J. Terrio
From Peasant to Artisan: Motor Mechanics in a Nigerian Town
263(9)
Sara Berry
Destiny World: Textile Casualties in Southern Nigeria
272(15)
David T. Doris
On a Particular Kind of Love and the Specificity of Soviet Production
287(10)
Sergei Alasheev
Original Copies
297(6)
Philip Tinari
`What is Cybernetics?', from The Human Use of Humans
303(7)
Norbert Wiener
Abstracting Craft: The Practiced Digital Hand
310(7)
Malcolm McCullough
`Digital Artisans Manifesto', European Digital Artisans Network
317(4)
Richard Barbrook
Pit Schultz
Craft versus Design: Moving Beyond a Tired Dichotomy
321(20)
Rafael Cardoso
SECTION 5: CRAFT IN THEORY: AESTHETICS, ESSENCE, STATUS
Section Introduction
335(6)
The Nature and Art of Workmanship
341(13)
David Pye
`The Genesis of the Technical Object: The Process of Concretization', from Du Mode d' Existence des objets Techniques
354(6)
Gilbert Simondon
`Forms in the Realms of Matter', from The Life of Forms in Art
360(6)
Henri Focillon
Rhythm
366(6)
Elsie Fogerty
The Mande Blacksmiths: Knowledge, Power and Art in West Africa
372(7)
Patrick R. McNaughton
African Art: Where the Hand Has Ears
379(7)
Amadou Hampate Ba
Walter Benjamin: Traces of Craft
386(9)
Esther Leslie
Functionalism Today
395(9)
Theodor Adorno
The Thing
404(5)
Martin Heidegger
Rappel a l'Ordre: The Case for the Tectonic
409(8)
Kenneth Frampton
`Art and Craft', from The Principles of Art
417(7)
R. G. Collingwood
Art and Work
424(6)
Harold Rosenberg
`Comment' and Responses
430(11)
John Bentley Mays
Curatorial Comment from The Maker's Eye
441(4)
Alison Britton
How Envy Killed the Crafts
445(19)
Garth Clark
SECTION 6: CRAFT IN ACTION: LIFE, ART, DESIGN
Section Introduction
457(7)
The Enchantment of Technology and the Technology of Enchantment
464(19)
Alfred Gell
Making Something from Nothing (Toward a Definition of Women's `Hobby Art')
483(8)
Lucy Lippard
`The Creation of Femininity', from The Subversive Stitch: Embroidery and the Making of the Feminine
491(10)
Rozsika Parker
There's No Place Like Home: Home Dressmaking and Creativity in the Jamaican Community of the 1940s to the 1960s
501(11)
Carole Tulloch
House-Trained Objects: Notes Towards Writing an Alternative History of Modern Art
512(13)
Tanya Harrod
The New Ceramic Presence
525(9)
Rose Slivka
How I Spent My Summer Vacation or, Art and Politics in Nevada, Berkeley, San Francisco and Utah
534(6)
Philip Leider
Some Notes on the Phenomenology of Making: The Search for the Motivated
540(8)
Robert Morris
The Art of Encounter
548(4)
Lee Ufan
Let the Artisans Craft Our Future
552(2)
Grayson Perry
`Manifesto of the Bauhaus' and `Education and the Bauhaus'
554(5)
Walter Gropius
Laszlo Moholy-Nagy
Shaping America's Products
559(10)
Don Wallance
Asilomar Conference Proceeding 1957
569(8)
Marguerite Wildenhain
Charles Eames
`The New Handicrafts,' from Hot House
577(11)
Andrea Branzi
SECTION 7: CONTEMPORARY APPROACHES
Section Introduction
585(3)
Affectivity and Entropy: Production Aesthetics in Contemporary Sculpture
588(8)
Johanna Drucker
`Craftsmen in the Factory of Images', from Boys Craft
596(10)
Tami Katz-Freiman
And What Is Your Title?
606(3)
Zandra Ahl
Craft Hard, Die Free: Radical Curatorial Strategies for Craftivism in Unruly Contexts
609(11)
Anthea Black
Nicole Burisch
The Politics of Craft: A Roundtable
620(9)
Julia Bryan-Wilson
Liz Collins
Sabrina Gschwandtner
Cat Mazza
Allison Smith
Recommended Bibilography 629(3)
List of Illustrations 632(5)
Index 637