Book
Make film history : rewrite, reshoot, and recut the world's greatest films
Record details
- ISBN: 9781615931224 (pbk.)
- ISBN: 1615931228 (pbk.)
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Physical Description:
print
viii, 238 p. : ill. ; 19 x 28 cm. - Publisher: Studio City, CA : Michael Wiese Productions, 2012.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references (p. 231-234). |
| Formatted Contents Note: | Machine generated contents note: Intermittency: Eadweard Muybridge (1872) -- "Reality": The Lumieres (1896) -- Imagination: Georges Melies (1896) -- Cutting to continuity: Edwin S. Porter (1903) -- Mise-en-scene: Charlie Chaplin (1914) -- Moving camera: Giovanni Pastrone (1914) -- Classical cutting: D.W. Griffith (1915) -- Montage: Lev Kuleshov (1920) -- Intertitles: Manuel Orazi (1921) -- Studio factory: Sunrise (1927) -- Synchronous sound: The Jazz Singer (1927) -- Aspect ratio: Abel Gance (1927) -- Thematic montage: Dziga Vertov (1929) -- Production code: Scarface (1932) -- Storyboard: Webb Smith (1933) -- Score: Max Steiner (1939) -- Ending: Casablanca (1942) -- Technicolor: Michael Powell (1947) -- Voice-over: Portrait of Jennie (1948) -- Jump-cut: Breathless (1960) -- Mixing sound: Walter Murch (1979) -- Montage to mashup: Cinema paradiso (1988) -- Chroma key: Forrest Gump (1994) -- Person and role: Being John Malkovitch (1999) -- Documentary "reality": Charlie Bit Me (2007). |
Search for related items by subject
| Subject: | Massachusetts College of Art -- Faculty Motion pictures -- Production and direction -- Study and teaching |
Available copies
- 1 of 1 copy available at Emily Carr University of Art + Design.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Circulation Modifier | Holdable? | Status | Due Date | Courses |
|---|---|---|---|---|---|---|---|---|
| Emily Carr University of Art + Design | PN1995.9 .P7 G4 2012 (Text) | 30228375 | Book | Volume hold | Available | - |
