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Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film Cover Image Book Book

Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film

Summary:

In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities. -- Taken from back of book.

Record details

  • ISBN: 9780803245976
  • Physical Description: xviii, 338 p. : ill. ; 23 cm.
  • Publisher: Lincoln : University of Nebraska Press, 2010.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (p. [291]-317) and index.
Formatted Contents Note:
List of Illustrations -- Preface -- Acknowledgments -- 1. Toward a Geneology of Indigenous Film Theory: Reading Hollywood Indians -- 2. Ideologies of (In)Visibility: Redfacing, Gender, and Moving Images -- 3. Tears and Trash: Economics of Redfacing and the Ghostly Indian -- 4. Prophezing on the Virtual Reservation: Imprint and It Starts with a Whisper -- 5. Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner) -- 6. Epilogue -- Notes -- Bibliography -- Index.
Subject: Indians in motion pictures.
Indigenous peoples in motion pictures.
Indians in the motion picture industry > United States.
Stereotypes (Social psychology) in motion pictures.
Motion pictures > United States > History > 20th century.
Topic Heading: Aboriginal.
First Nation.

Available copies

  • 1 of 1 copy available at Emily Carr University of Art + Design.

Holds

  • 0 current holds with 1 total copy.
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Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Holdable? Status Due Date Courses
Emily Carr University of Art + Design PN1995.9 .I48 R34 2010 (Text) 30243861 Book Volume hold Available -


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