Perspectives on contemporary printmaking : critical writing since 1986 / edited by Ruth Pelzer-Montada.
Record details
- ISBN: 9781526125750
- ISBN: 1526125757
- Physical Description: xviii, 347 pages : illustrations ; 24 cm
- Publisher: Manchester : Manchester University Press, 2018.
- Copyright: ©2018
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (pages 330-336) and index. |
Search for related items by subject
Subject: | Prints > History and criticism. Prints > Techniques. |
Available copies
- 1 of 1 copy available at Emily Carr University of Art + Design.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Circulation Modifier | Holdable? | Status | Due Date | Courses |
---|---|---|---|---|---|---|---|---|
Emily Carr University of Art + Design | NE865 .P47 2018 (Text) | 30232280 | Book | Volume hold | Reshelving | - |
- Oxford University Press
The anthology provides a critical topography of printmaking since the mid-1980s. Its texts span different formats and critical and theoretical approaches by both well-known authors as well as little-known 'insiders'. The book's four sections cover a short history of print culture; critical debates, terms and themes since 1986; a survey of some of the field's important organizational and operational parameters. - Oxford University Press
The anthology, the first of its kind, includes 32 texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. Texts formats range from the art-historical and academic to art criticism and creative art writing. The collection is designed to provide a critical topography of artistic printmaking during this period rather than a general survey of which a number already exist. The book's aim is to make a range of often widely dispersed texts available. It is directed at an audience of international stakeholders in the field of contemporary print/printmaking/printmedia, including Higher Education, such as art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It will provide a basis for an expansion of the debate in the field and act as a starting point for further research. - Perseus Publishing
The anthology provides a critical topography of printmaking since the mid-1980s. Its texts, by well-known authors as well as âinsidersâ, span different formats and critical and theoretical approaches. - Perseus Publishing
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.