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| 04619cam a2200721Ii 4500 |
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001 | 128107835 |
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003 | SITKA |
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005 | 20221202144543.5 |
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008 | 211224t20222022caua c 000 0 eng d |
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019 | | . |
‡a1289922027
‡a1289941200 |
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020 | | . |
‡a1733664769
‡qhardcover |
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020 | | . |
‡a9781733664769
‡qhardcover |
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035 | | . |
‡a(OCoLC)1289986844
‡z(OCoLC)1289922027
‡z(OCoLC)1289941200 |
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035 | | . |
‡a(OCoLC)on1289986844 |
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040 | | . |
‡aYDX
‡beng
‡erda
‡cYDX
‡dILO
‡dZVP
‡dUOK
‡dYDX |
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043 | | . |
‡an-us-ca |
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050 | | 4. |
‡aN6537.S2
‡bA4 2022 |
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082 | 0 | 4. |
‡a700/.411
‡223/eng/20221201 |
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100 | 1 | . |
‡aSaar, Betye,
‡eartist. |
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245 | 1 | 0. |
‡aBetye Saar :
‡bBlack doll blues. |
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246 | 3 | 0. |
‡aBlack doll blues |
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264 | | 1. |
‡a[Los Angeles, California] :
‡bRoberts Projects,
‡c[2022] |
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264 | | 2. |
‡aNew York :
‡bArtbook D.A.P. |
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264 | | 4. |
‡c©2022 |
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300 | | . |
‡a221 pages :
‡billustrations ;
‡c31 x 24 cm +
‡e1 paper doll |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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336 | | . |
‡astill image
‡bsti
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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500 | | . |
‡aPublished on the occasion of an exhibition at Roberts Projects, Culver City, California, September 18-November 6, 2022. |
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505 | 0 | 0. |
‡tForeword /
‡rJulie Roberts --
‡gSection I:
‡tSketchbooks --
‡tBlack dolls in vibrant color /
‡rKatherine Jentleson --
‡gSection II:
‡tAssemblage and collage --
‡gSection III:
‡tBlack doll collection --
‡tInterview with Betye Saar /
‡rMaddy Inez Leeser --
‡gSection IV:
‡tWatercolors --
‡tSoft power: Betye Saar's watercolor dolls /
‡rRachel Federman --
‡gSection V:
‡tExhibition --
‡tList of Black doll collection. |
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520 | 8 | . |
‡aThis volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper. "Watercolor is something that children use, so I decided, maybe I'll paint something about children, maybe I'll paint the dolls," Saar says. Referencing the underrepresented history of Black dolls through Saar's artistic lens, this catalog distills several intersecting themes, imagery and objects in Saar's oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box (1972) and Mti (1973), plus early sketchbooks and a curated selection of Saar's Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library & Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser. |
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600 | 1 | 0. |
‡aSaar, Betye
‡vExhibitions. |
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600 | 1 | 0. |
‡aSaar, Betye
‡vInterviews. |
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600 | 1 | 0. |
‡aSaar, Betye
‡xCriticism and interpretation. |
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600 | 1 | 0. |
‡aSaar, Betye
‡xArt collections. |
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650 | | 0. |
‡aWatercolor painting
‡y21st century. |
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650 | | 0. |
‡aBlack dolls. |
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650 | | 0. |
‡aDolls in art
‡vExhibitions. |
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650 | | 0. |
‡aBlack people in art. |
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650 | | 0. |
‡aAfrican American art
‡y21st century
‡vExhibitions. |
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650 | | 0. |
‡aAfrican American women artists
‡zCalifornia
‡vExhibitions. |
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650 | | 0. |
‡aAfrican American artists
‡zCalifornia
‡vExhibitions. |
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650 | | 0. |
‡aWomen artists
‡zCalifornia
‡vExhibitions. |
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655 | | 7. |
‡aExhibition catalogs.
‡2lcgft
‡0http://id.loc.gov/authorities/genreForms/gf2014026098 |
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700 | 1 | . |
‡aJentleson, Katherine,
‡ewriter of supplementary textual content. |
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700 | 1 | . |
‡aFederman, Rachel,
‡ewriter of supplementary textual content. |
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700 | 1 | . |
‡aLeeser, Maddy Inez,
‡einterviewer. |
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710 | 2 | . |
‡aRoberts Projects (Gallery),
‡ehost institution. |
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901 | | . |
‡a128107835
‡bAUTOGEN
‡c128107835
‡tbiblio
‡sOther |
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