Color and mastering for digital cinema
Record details
- ISBN: 0240808746
- ISBN: 9780240808741
- ISBN: 1136033378
- ISBN: 9781136033377
- ISBN: 0080465498
- ISBN: 9780080465494
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Physical Description:
1 online resource (xv, 185 pages) : illustrations (some color)
remote - Publisher: Burlington, MA : Focal Press, ©2007.
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Objectives -- -- Universal distribution master -- -- Based on open standards -- -- Device Independent -- -- Extensible as technology advances -- -- Compatible with today's film distribution --> Screen luminance 14 ft L --> White point 0.314 0.351 based on Xenon practice -- Color Space -- -- Options considered -- -- Why XYZ was chosen -- -- Explanation of CIE color and x y diagrams -- -- Image state -- output referred -- Transfer Function -- -- Why gamma 2.6 -- -- Why 12 bits -- -- Contrast Sensitivity test -- -- Full range -- -- Normalization to support other white points -- Reference Projector and Environment -- -- Reference Projector -- -- Environment -- -- Calibration -- -- Projector Measurements -- Digital Intermediate Process -- -- Film and digital raw inputs -- -- Film centric workflow- printing density -- -- Print Film Emulation in reference display -- -- Color Transforms to XYZ -- -- Impact on color correctors and other equipment or software -- -- Output referred encoding -- -- Metadata on reference projector -- Color Transformations -- -- ICT in JPEG 2000 -- -- Color transform to RGB in the projector -- -- Color calibration in-situ -- -- Gamut mapping in the projector -- -- Nature's tone mapping -- DLP Cinema -- a case study -- -- How DLP technology works -- -- Initial industry demonstrations -- -- Responding to creative requests -- -- Expansion of color gamut -- -- P7v2 to expedite film matching -- -- Color calibration in-situ -- -- 3D LUT for gamut mapping -- -- 3D LUT for film emulation -- -- Expansion of contrast ratio -- -- Cinelinkʼ link encryption -- -- Cinecanvasʼ subtitles -- Digital 3D Presentation -- -- Screen luminance requirement -- -- Impact on color appearance -- -- Dual link 4:2:2 interface -- -- Various presentation options: --> Dual projector; passive polarizers --> Single projector; active glasses --> Single projector with Z-screen; passive glasses --> Infitec color filters -- The Future -- -- Impact of wider gamut light sources -- -- Gamut mapping requirements -- -- Impact of digital cameras -- -- 48 FPS for enhanced motion -- -- Will film distribution be phased out? -- -- Digital cinema centric workflow -- -- Color Appearance Modeling -- -- Auto color transforms for home video and other outputs. |
Source of Description Note: | Print version record. |
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Subject: | Digital cinematography Cinéma numérique PHOTOGRAPHY -- Techniques -- Cinematography & Videography ART -- Film & Video Digital cinematography |
Genre: | Electronic books. |