Simone Leigh

Respini, Eva (editor,, writer of introduction.). Leigh, Simone (artist,, contributor.). Medvedow, Jill, (writer of foreword.). Hartman, Saidiya V., (contributor.). Silva, Denise Ferreira da, (contributor.). Bradley, Rizvana, (contributor.). Price, Yasmina, (contributor.). Agard-Jones, Vanessa, (contributor.). Miller, Sequoia, (contributor.). Parker, Rianna Jade, (contributor.). McKittrick, Katherine, (contributor.). King, Daniella Rose, (contributor.). Nelson, Steven, 1962- (contributor.). Lynne, Jessica, (contributor.). Rhodes-Pitts, Sharifa, (contributor.). Sharpe, Christina Elizabeth, (contributor.). Spillers, Hortense J., (contributor.). Pullagura, Anni A., (contributor.). Ochieng' Nyongó, Tavia Amolo, (contributor.). McMillan, Uri, (contributor.). Masilela, Nomaduma Rosa, (contributor.). Gaines, Malik, (contributor.). O'Grady, Lorraine, (contributor.). Brand, Dionne, 1953- (contributor.). Institute of Contemporary Art (Boston, Mass.), (publisher,, organizer,, host institution.). DelMonico Books, (publisher.). Hirshhorn Museum and Sculpture Garden, (host institution.). Los Angeles County Museum of Art, (host institution.). California African-American Museum, (host institution.).

Summary: "The first major monograph on Simone Leigh's multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora. Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh's art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture. This publication includes substantial new scholarship addressing Leigh's work across mediums and topics. The volume, timed with a major exhibition and national tour of the artist's work, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh's voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh's research methodologies and encourages readers to fully engage with all aspects of Leigh's work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist." -- Publisher's website.

Record details

ISBN: 1636810780
ISBN: 9781636810782
Physical Description: 365 pages, 7 unnumbered pages : illustrations (chiefly color) ; 30 x 27 cm
print
Publisher: Boston : Institute of Contemporary Art/Boston ; New York : DelMonico Books, [2023]
Distributor: New York, NY : available through ARTBOOK/D.A.P.
Copyright: ©2023

Content descriptions

General Note:	This book was published on the occasion of the exhibition, Simone Leigh, organized by the Institute of Contemporary Art/Boston and held at the Institute of Contemporary Art/Boston, April 6-September 4, 2023, Hirshhorn Museum and Sculpture Garden, Washington, D.C., November 3, 2023-March 3, 2024, and jointly at Los Angeles County Museum of Art (LACMA) and California African American Museum (CAAM) in Los Angeles June 2024-January 2025.
Bibliography, etc. Note:	Includes bibliographical references and index.
Formatted Contents Note:	Foreword / Jill Medvedow -- Introduction: Simone Leigh, sculpting time / Eva Respini -- Plates -- Extended notes on the riot / Saidiya Hartman -- "If you never...you don't...": the aesthetic (forms) of refusal / Denise Ferreira da Silva -- Plates -- Awaiting her verb / Rizvana Bradley -- Passing the torch: Black women, intimacy, and arson in Conspiracy / Yasmina Price -- Plates -- Clay's memory / Vanessa Agard-Jones -- The ceramics of Simone Leigh / Sequoia Miller -- Women in the yard: the legacy of Afro-Jamaican ceramics / Rianna Jade Parker -- Plates -- A glossary of the tangible and unfettered / Katherine McKittrick -- Simone Leigh: Caribbean Diasporas and cleansing the "colonial stain" / Daniella Rose King -- Plates -- Simone Leigh: the alchemy of architecture / Steven Nelson -- The vernacular revered / Jessica Lynne -- Survival theory, or, the idea of Africa / Sharifa Rhodes-Pitts -- Plates -- Simone Leigh: "a journey to scale" / Christina Sharpe -- Simone Leigh and the monumental / Hortense J. Spillers -- Plates -- Chronology of social sculpture works / Anni A. Pullagura -- Simone Leigh's social sculpture / Tavia Nyong'o -- Plates -- Be Black baby! Simone Leigh's Performance Commons / Uri McMillan -- Roving notes through an embodied archive that presents something "more true than fact" / Nomaduma Masilela -- Conversation / Malik Gaines, Simone Leigh, and Lorraine O'Grady -- Plates -- Works in the exhibition -- Acknowledgments -- Contributors -- Lenders to the exhibition -- Supporters -- The Trustees of the Institute of Contemporary Art Boston -- Reproduction credits -- Index -- Ars diagnostic / Dionne Brand.
Biographical or Historical Data:	"Over the last twenty years Simone Leigh has created a multi-faceted body of work incorporating sculpture, video, and installation, all informed by her ongoing exploration of Black female-identified subjectivity. Leigh describes her work as auto-ethnographic, and her salt-glazed ceramic and bronze sculptures often employ forms traditionally associated with African art. Her performance-influenced installations create spaces where historical precedent and self-determination commingle. "I am charting a history of change and adaptation," the artist has written, "through objects and gesture and the unstoppable forward movement of Black women." Simone Leigh was born in Chicago in 1967 and first began exhibiting her work in the early-2000s. She has had one-person museum exhibitions at the Guggenheim Museum, New York; The Tate Gallery, London; the Studio Museum in Harlem; and the Hammer Museum in Los Angeles among others. In 2014 she presented "The Free People's Medical Clinic" in the Bedford-Stuyvesant neighborhood in Brooklyn, New York, a project commissioned by Creative Time. Her work was included in the 2012 and 2019 Biennial exhibitions at the Whitney Museum of American Art, New York, and she is the first artist to be commissioned for the High Line Plinth; her monumental sculpture Brick House was unveiled in April 2019. In 2022, Leigh represented the United States at the 59th Venice Biennale with her exhibition, "Simone Leigh: Sovereignty." Her work was also included in the Biennale's central exhibition, "The Milk of Dreams," for which she was awarded the Golden Lion for Best Participant." -- Biography taken from: https://matthewmarks.com/artists/simone-leigh