Decolonization and reclamation : the cultural significance of material exploration
Record details
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Physical Description:
1 online resource (53 pages) : colour illustrations.
remote - Publisher: [Vancouver] : Emily Carr University of Art + Design, 2022.
- Copyright: ©2022.
Content descriptions
General Note: | "A thesis support paper submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts, Emily Carr University of Art + Design, 2022"--t.p. |
Dissertation Note: | Thesis (M.A.) - Emily Carr University of Art and Design, 2022 |
Bibliography, etc. Note: | Includes bibliographical references (pages 52-53). |
Search for related items by subject
Subject: | Indigenous art Sculpture Painting Indigenous knowledge Decolonization |
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Electronic resources
LDR | 00744nam aa2 00325a 4500 | ||
---|---|---|---|
001 | 128822231 | ||
003 | SITKA | ||
005 | 20231020180309.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 231020s2022 bcca ob 000 0 eng d | ||
040 | . | ‡aBVAVSA ‡beng ‡erda ‡cBVAVSA | |
041 | 0 | . | ‡aeng |
100 | 1 | . | ‡aTapwew, Onikamow, ‡eauthor. |
245 | 1 | 0. | ‡aDecolonization and reclamation : ‡bthe cultural significance of material exploration / ‡cby Onikamow Tapwew. |
264 | 1. | ‡a[Vancouver] : ‡bEmily Carr University of Art + Design, ‡c2022. | |
264 | 4. | ‡c©2022. | |
300 | . | ‡a1 online resource (53 pages) : ‡bcolour illustrations. | |
336 | . | ‡atext ‡2rdacontent | |
337 | . | ‡acomputer ‡2rdamedia | |
338 | . | ‡aonline resource ‡2rdacarrier | |
347 | . | ‡atext file ‡bPDF ‡2rda | |
490 | 0 | . | ‡aEmily Carr Institute of Art and Design Masters Thesis |
502 | . | ‡aThesis (M.A.) - Emily Carr University of Art and Design, 2022 | |
500 | . | ‡a"A thesis support paper submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts, Emily Carr University of Art + Design, 2022"--t.p. | |
504 | . | ‡aIncludes bibliographical references (pages 52-53). | |
520 | 3 | . | ‡aMy artistic practice as a Cree and Osage Two Spirit woman is rooted in an investigation of materials with cultural significance to my Indigenous tribes. Working with these materials across my practice allows me to create painting and sculptural works that combine traditional and contemporary Indigenous art. In this thesis support document, I situate my research and practice within Indigenous art history, which has thrived despite the constant threat from colonial powers, and alongside Indigenous theorists and artists that opened up the way for me. Across my practice, I aim to explore Decolonization and the Reclamation of Indigenous sovereignty and traditions. I hope my work can contribute to other Indigenous artists and people on Turtle Island (The Americas), so that we can one day gain freedom from the shackles of colonialism. |
650 | 0. | ‡aDecolonization. | |
650 | 0. | ‡aIndigenous knowledge. | |
650 | 0. | ‡aPainting. | |
650 | 0. | ‡aSculpture. | |
650 | 0. | ‡aIndigenous art. | |
710 | 2 | . | ‡aEmily Carr Institute of Art and Design. |
830 | 0. | ‡aEmily Carr University of Art and Design Masters Theses. | |
856 | 4 | 0. | ‡uhttps://dx.doi.org/10.35010/ecuad:17840 ‡yClick here for electronic copy of thesis ‡9BVAVSA |
901 | . | ‡a128822231 ‡bAUTOGEN ‡c128822231 ‡tbiblio |