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Bakhtinian perspectives on language and culture : meaning in language, art, and new media Cover Image Book Book

Bakhtinian perspectives on language and culture : meaning in language, art, and new media

Bostad, Finn, 1941- (Added Author).

Record details

  • ISBN: 9781403916907
  • ISBN: 140391690X
  • Physical Description: print
    xi, 235 p. ; 23 cm.
  • Publisher: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, c2004.

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Bibliography, etc. Note: Includes bibliographical references and index.

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Subject: Bakhtin, M. M. (Mikhail Mikhaĭlovich) -- 1895-1975
Language and languages -- Philosophy
Culture
Art -- Philosophy
Meaning (Philosophy)

Available copies

  • 1 of 1 copy available at Emily Carr University of Art + Design.

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  • 0 current holds with 1 total copy.
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Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Holdable? Status Due Date Courses
Emily Carr University of Art + Design P85 .B22 B353 2004 (Text) 30216748 Book Volume hold Available -
► Summaries & More
▼ Additional Content
List of Figures ix
Notes on the Contributors x
Introduction: Thinking Culture Dialogically 1(20)
Dialogism as alternative theory of culture: moving beyond
1(2)
Historical difficulties with the dialogical perspective
3(4)
Dialogism and the creation of meaning
7(3)
Thinking with: moving beyond the Bakhtin Circle
10(7)
Conclusion
17(4)
Part I The Bakhtin Circle 21(68)
1 Law and the Genres of Discourse: the Bakhtin Circle's Theory of Language and the Phenomenology of Right
23(23)
Craig Brandist
German jurisprudence and philosophy
24(3)
From neo-Kantianism to phenomenology and back again
27(2)
From aesthetic act to discursive act
29(2)
From discursive act to discursive genre
31(3)
Discursive genres, social acts and jurisprudence
34(4)
The deferral of judgement
38(8)
2 Rhetoric, the Dialogical Principle and the Fantastic in Bakhtin's Thought
46(19)
Renate Lachmann
Introduction
46(1)
Dialogism and responsibility: the word of the other
46(6)
The specificity of Bakhtin's rhetoric and the relevance of the Socratic dialogue
52(5)
The anticlassical penchant in Bakhtin's thinking
57(4)
The concept of the fantastic
61(4)
3 Bakhtin's Triadic Epistemology and Ideologies of Dialogism
65(26)
Sigmund Ongstad
Introduction
65(1)
Perceptions of 'dialogue' and dialogisms
65(2)
From literary theory to interdisciplinary application
67(2)
The triadic nature of the utterance (and hence genre)
69(5)
Bakhtinian dialogisms as Bakhtinian ideologies
74(3)
The triadic logic as an epistemological challenge for dialogism
77(4)
Conclusions and endings
81(8)
Part II The Theory of Language 89(76)
4 Between Relativism and Absolutism: Towards an Emergentist Definition of Meaning Potential
91(23)
Mika Lähteenmaki
Introduction
91(2)
Some objections to the notion of literal meaning
93(2)
Meaning as a potential
95(4)
Dialogism and emergentism
99(2)
Wittgenstein and 'going on in the same way'
101(2)
On internal and external aspects of rules
103(4)
The emergent nature of meaning potentials
107(3)
Conclusion
110(4)
5 Recontextualizing Non-Bakhtinian Theories of Language: a Bakhtinian Analysis
114(19)
Per Linell
Introduction: a Bakhtinian perspective?
114(1)
Intellectual history as a dialogue of ideas
114(1)
Recontextualizations
115(1)
Linguistics, a disciplined study of language
116(1)
The notion of a language
117(9)
Conclusions
126(7)
6 Language, Thinking and Embodiment: Bakhtin, Whorf and Merleau-Ponty
133(14)
Hannele Dufva
Introduction
133(2)
Linguistic relativity: the Whorfian view
135(4)
Diversity of dialogues: Bakhtinian comments
139(2)
The commonality in embodiment: add Merleau-Ponty
141(1)
Brave new science of cognition?
142(1)
Philosophies and methodologies - concluding remarks
143(4)
7 From Dialogue to Dialogism: the Confessions of a Writing Researcher
147(20)
Lars Sigfred Evensen
Introduction
147(1)
The need for social interactionism
148(3)
The need for socio-cultural history in writing research
151(4)
The notion of 'double dialogue' as synthesis
155(4)
Given all of this; so what?
159(6)
Part III New Technology and Visual Art 165(68)
8 Dialogue in Electronic Public Space: the Semiotics of Time, Space and the Internet
167(18)
Finn Bostad
Introduction
167(2)
Electronic discourse and dialogue
169(1)
Principles of dialogism
170(2)
Space and time
172(2)
Some characteristics of electronic discourse
174(3)
Same place - same time
177(2)
Same place - other time
179(1)
Same time - other place
180(1)
Other time - other place
181(1)
Conclusion
182(3)
9 'Thought Drawing': Dialogical Thinking and Dialogical Culture at the Trondheim Academy of Fine Art
185(14)
Hege Charlotte Faber
Art as cultural research
185(2)
'Thought drawing'
187(7)
Art and answerability
194(1)
Conclusion
195(4)
10 Negotiating Meaning: the Dialogic Imagination in Electronic Art
199(18)
Eduardo Kac
Introduction
200(1)
Dialogic philosophy and collaborative art
201(2)
Dialogic imagination
203(5)
Dialogic electronic art
208(4)
Conclusion
212(5)
11 A Dialogue with an Idiot?: Some Interactive Computer-based Art
217(16)
Beryl Graham
Glossy - glossia
220(1)
Whose choices?
221(2)
How interactive?
223(3)
A dialogue with an idiot?
226(1)
The author as hero, or the author as party host?
227(1)
Recycle, reaccentuate
228(5)
Index 233

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